Everyone else is clogging up your friends page with commentary on Terri Schiavo, but not me. I thought I'd take a little break from the media circus and watch The Lost Boys again, aired on Sci-Fi the other night.
I loved this movie when it first came out (the year of my high school graduation, I just noticed). Watching it now, though, I see that it is hopelessly dated (moreso than me, I am hoping). I thought Kiefer Sutherland was the hottest vampire I'd ever seen (but then Brad Pitt came along)...seeing him now in 2005, the first thing that smacked me in the face was his big old platinum mullet. It made me sorely miss my sheltered youth before I had ever heard the term "mullet." His isn't even the worst; Marco (better known as "Ted" in Bill and Ted's Excellent Adventure) had a mullet that could make Michael Bolton's mullet cower in shame. Oh, the humanity. So half the "vampire gang" wore mullets, the other half looked like Winger rejects (not Twisted Sister, as they are called in the movie). Now I see that Jason Patric, who I originally considered whiny and lackluster, stood the test of time far better purely by virtue of his lack of mullet-headedness (although his acting is still arguably somewhat lackluster). Corey Feldman's performance is elevated only by the presence of Corey Haim, a loathsome little troll whose character has a life-size poster of Molly Ringwald on his wall, not because he has a crush on her but because he apparently relies on her for fashion tips, right down to his hairstyle (LOVE the ankle-length pastel linen jacket, you "Tiger Beat" fodder you). I remember being morbidly fascinated by the scene of him singing that stupid, annoying song in the bathtub, not realizing at the time that it was only one in a series of humiliating big-screen moments for him. Max, the "head vampire" (sorry if I spoiled it for anyone who hasn't seen it yet) wears shoulder pads AND eyeglasses that would look better on Dame Edna, and has an enormously tacky piece of neon wall "art" in his swinging bachelor vamp pad.
Glaring era references aside, the script that I didn't have the slightest problem with at the time I see now was pretty damn silly, with lines like:
Edgar (Feldman): You probably thought we just worked in our parents' comic book store.
Sammy (Haim): Actually I thought it was a bakery.
S-NAP! You do NOT want to tangle with his scathing comebacks, boyeeeeee. Or this one, for that matter:
Kip Winger Vampire: YOU killed Marco!
Edgar: Yeah, and YOU'RE NEXT!
Winger: No, YOU'RE next!!
*burying face in hands at the death of my innocence*
Sammy: Grandpa, is it true that Santa Clara is the "Murder Capitol of the World"?
Grandpa: Let's just say if all the people buried here got up and started walking around, we'd have one hell of a population problem.
Ummmm, can't this be said for any metropolitan area?
Sci-Fi saw fit to keep all this stupidity in, yet took out the scene with my favorite line, "Some will explode, some implode. But ALL will try to take you with them." Why, Sci-Fi, why?
Also (at the risk again of spoiling it for anyone) at the end Max smirks to Michael, "Never invite a vampire into your home, silly boy...it renders you powerless!" I don't remember Michael inviting David and the gang in, yet inside his house is where the great battle takes place. This unfortunately set the precedent for further inconsistent laws of vampirism employed by Joss Whedon years later for BtVS.
The music still rocked, though, as evidenced by the inclusion of the "Cry Little Sister" theme on a goth compilation CD I bought as recently as a year ago. So cool music + still fairly entertaining story - abysmal acting - embarrassing period cues = 2.5/5 (score back in 1987 would probably have been closer to 4/5)
I loved this movie when it first came out (the year of my high school graduation, I just noticed). Watching it now, though, I see that it is hopelessly dated (moreso than me, I am hoping). I thought Kiefer Sutherland was the hottest vampire I'd ever seen (but then Brad Pitt came along)...seeing him now in 2005, the first thing that smacked me in the face was his big old platinum mullet. It made me sorely miss my sheltered youth before I had ever heard the term "mullet." His isn't even the worst; Marco (better known as "Ted" in Bill and Ted's Excellent Adventure) had a mullet that could make Michael Bolton's mullet cower in shame. Oh, the humanity. So half the "vampire gang" wore mullets, the other half looked like Winger rejects (not Twisted Sister, as they are called in the movie). Now I see that Jason Patric, who I originally considered whiny and lackluster, stood the test of time far better purely by virtue of his lack of mullet-headedness (although his acting is still arguably somewhat lackluster). Corey Feldman's performance is elevated only by the presence of Corey Haim, a loathsome little troll whose character has a life-size poster of Molly Ringwald on his wall, not because he has a crush on her but because he apparently relies on her for fashion tips, right down to his hairstyle (LOVE the ankle-length pastel linen jacket, you "Tiger Beat" fodder you). I remember being morbidly fascinated by the scene of him singing that stupid, annoying song in the bathtub, not realizing at the time that it was only one in a series of humiliating big-screen moments for him. Max, the "head vampire" (sorry if I spoiled it for anyone who hasn't seen it yet) wears shoulder pads AND eyeglasses that would look better on Dame Edna, and has an enormously tacky piece of neon wall "art" in his swinging bachelor vamp pad.
Glaring era references aside, the script that I didn't have the slightest problem with at the time I see now was pretty damn silly, with lines like:
Edgar (Feldman): You probably thought we just worked in our parents' comic book store.
Sammy (Haim): Actually I thought it was a bakery.
S-NAP! You do NOT want to tangle with his scathing comebacks, boyeeeeee. Or this one, for that matter:
Kip Winger Vampire: YOU killed Marco!
Edgar: Yeah, and YOU'RE NEXT!
Winger: No, YOU'RE next!!
*burying face in hands at the death of my innocence*
Sammy: Grandpa, is it true that Santa Clara is the "Murder Capitol of the World"?
Grandpa: Let's just say if all the people buried here got up and started walking around, we'd have one hell of a population problem.
Ummmm, can't this be said for any metropolitan area?
Sci-Fi saw fit to keep all this stupidity in, yet took out the scene with my favorite line, "Some will explode, some implode. But ALL will try to take you with them." Why, Sci-Fi, why?
Also (at the risk again of spoiling it for anyone) at the end Max smirks to Michael, "Never invite a vampire into your home, silly boy...it renders you powerless!" I don't remember Michael inviting David and the gang in, yet inside his house is where the great battle takes place. This unfortunately set the precedent for further inconsistent laws of vampirism employed by Joss Whedon years later for BtVS.
The music still rocked, though, as evidenced by the inclusion of the "Cry Little Sister" theme on a goth compilation CD I bought as recently as a year ago. So cool music + still fairly entertaining story - abysmal acting - embarrassing period cues = 2.5/5 (score back in 1987 would probably have been closer to 4/5)